G.A.M.E.未來主題展

Generative 衍生

• 衍生遊戲 - 遊行

  基爾‧丹格‧穆茲克瑙

  Generative 衍生

  衍生遊戲 - 遊行

  STG: v.Parade

  語音導覽

  STG: v. 遊行以隨機生成的步行生物群體為作品主要特色。每個生物體所組成的"步行者"都由程式碼生成。作品靈感來自於我對經典行走循環動畫（事實上只是一系列不斷循環的連續運動）和衍生程式碼（擅長產生循環運動）的著迷。將這些興趣和我當時在實驗的字型設計工作結合起來後，我能創造無止盡的隨機生成的遊行生物。看著四肢長度、步行速度、和身體大小的變數如何影響每位步行者的性格特質，這非常有趣。

  STG: v. Parade features randomly generated crowd of walking creatures. Each Walker is created purely from code. This idea sprung out of a fascination with the classic animator’s walk cycle (which is just a series of looped motions) and generative code (which is really good at creating loops). By combining these interests and adding some typography work I was experimenting with, I am able to create an endless parade of random, generative creatures. It’s interesting to see what changing variables of limb length, walk speed, and body size can do to the character of each walker.

  • 藝術家介紹 / Artist

    基爾‧丹格‧穆茲克瑙

    Kiel Mutschelknaus

    基爾‧丹格‧穆茲克瑙是來自馬里蘭州的動態設計和生成設計師。基爾的工作室專注於製作生成工具，以創建定制的字體設計、圖像和動態作品。他的編程項目 Space Type Generator 是一個開源工具，允許用戶創建他們自己的動態字體實驗。STG 有 20 種變體，且更多變體正在開發中。它已在全球範圍內被廣泛使用，從MV到雜誌封面再到大型壁畫。Space Type Generator 曾被 It’s Nice That、Eye Magazine、étapes 和 Novum Magazine 等媒體報導。STG 的各種變體已在全球各地展出，包括香港、紐約市和台北。Kiel 曾在國際上展示他的作品並舉辦工作坊，足跡遍及巴塞隆納的OFFF Barcelona、OFFF Tel Aviv、Tipografìa México、 及 INTL.

    Kiel D. Mutschelknaus is a motion and generative designer from Maryland. Kiel’s studio focuses on crafting generative tools to create bespoke typography, image, and motion outputs. His coding project, Space Type Generator, is an open source tool that allows users to create their own kinetic type experiments. There are 20 variations of STG with more on the way. It has been used around the world for everything from music videos to magazine covers to large scale murals. Space Type Generator has been written about in It’s Nice That, Eye Magazine, étapes, and Novum Magazine. Variations of STG have been on display around the world, from Hong Kong to NYC to Taipei. Kiel has presented his work and hosted workshops internationally, including OFFF Barcelona, OFFF Tel Aviv, Tipografìa México, and INTL.

  Close

• 混沌文法β：輕軌時刻表

  魏廷宇

  Generative 衍生

  混沌文法β：輕軌時刻表

  Chaotic Grammar β: LRT Timetable

  語音導覽

  我們的世界由語言建構，無法完全理解的文法正創造混沌。〈混沌文法β〉是〈混沌文法〉的後續之作，觀眾可以隨意輸入文字，產生的結果會在空間中漂浮和碰撞，形成音序器（Sequencer）中的音符。透過自由重組和相互挪用展開超現實和詭異的演繹，藉由直面混沌，重新理解人類語言和人工智慧之間的曖昧關係。這次的〈混沌文法β：輕軌時刻表〉是一件現地製作的作品，程式記錄了高雄輕軌的時刻表，當時間到時，輕軌將在作品中奔馳，與觀眾產生的模型彼此碰撞。提供了真實世界秩序二次介入混沌的觀賞機會，更有趣的是，當輕軌誤點時，兩個世界就產生了微妙的距離。

  Our world is constructed by language, and the grammar that can’t be fully understood is creating chaos."Chaotic Grammar β" is the sequel to "Chaotic Grammar" where the audience can freely input text. The resulting output will float and collide in space, forming notes in a sequencer. Through free recombination and mutual appropriation, it unfolds a surreal and bizarre performance, facing chaos to reinterpret the ambiguous relationship between human language and artificial intelligence.This time, "Chaotic Grammar β: LRT Timetable" is a site-specific work, with the program recording the timetable of the Kaohsiung Light Rail. When the time comes, the light rail will race through the piece, colliding with the models generated by the audience. It provides an opportunity to observe the real-world order’s secondary intervention into chaos. More interestingly, when the light rail is delayed, a subtle distance arises between the two worlds.

  • 藝術家介紹 / Artist

    魏廷宇

    Tim Wei

    台灣科技藝術工作者。作品大部分為動態影像、音像和電子裝置。探索文字和語言轉換為影像時的各種關係，包含失真、互相指涉、不同線性敘事對應等。

    Most works consist of moving images, audio-visuals, and electronic installations, exploring various relationships when text and language are transformed into images, including distortion, cross-referencing, misplacement, and correspondences in cross-narratives.

  Close

• 映心堂

  伊戈爾·馬洛塔 / 雷娜塔·切貝爾

  科技駐村

  Generative 衍生

  科技駐村

  映心堂

  Temple of Reflections

  語音導覽

  「映心堂」融合傳統信仰與尖端科技，邀請參觀者探索台灣的文化精神。這件裝置以燈籠和供品營造出現代寺廟的氛圍，中央的「明鏡」讓觀者在其中化身為佛陀、觀音、媽祖等神聖人物，象徵所有眾生皆具成佛潛力。透過與人工智慧互動，觀眾可請教生活或哲學問題，並獲得回應與詩句，詩句化為視覺效果投射於牆面，展現古老智慧與數位科技的融合，搭建出一座跨越傳統與現代的精神橋樑。

  “Temple of Reflections” Artists Renata Chebel and Ygor Marotta bring their latest immersive installation, "Temple of Reflections," to Kaohsiung’s iconic Pier-2 Art Center. The work invites visitors into a unique fusion of Taiwan’s spiritual traditions and cutting-edge technology, offering a contemporary reinterpretation of the island’s rich cultural heritage.Stepping into the installation is akin to entering a modern temple—glowing LED lanterns and symbolic offerings evoke sacred spaces, while a striking vertical "mirror" wall takes center stage. But this mirror goes beyond reflection. As visitors move, they see themselves as deified figures, from Buddha and Guanyin to local gods like Mazu and even Taoist masters and Confucius. This mirror is inspired by the Mahayana Buddhism idea of Buddha-nature, which states that all sentient beings have an innate potential to become Buddha.At the altar, a keyboard connects visitors to an AI entity trained on the deep wisdom of Buddhism, Taoism, Confucianism, and Taiwanese folk beliefs. Through brief interactions, visitors can seek guidance, receive life counsel, or pose philosophical questions. The AI responds with concise text, culminating in a short poem that encapsulates the conversation. This poetry will generate visuals which will be projected on the surrounding walls, creating an evolving visual narrative that blends ancient tradition with the digital age."Temple of Reflections" is an exploration of the spiritual essence carried by generations of Taiwanese people and reimagined for the modern world. It bridges the timeless and the contemporary, using technology to invite reflection, transformation, and dialogue between visitors and the divine.

  • 藝術家介紹 / Artist

    伊戈爾·馬洛塔

    Ygor Marotta

    Ygor Marotta 是來自巴西聖保羅的新媒體藝術家，以其創新的手法吸引了全球觀眾，將動畫、投影、虛擬實境和音樂結合在一起，創造出沉浸式的體驗。Marotta 的創意延伸至 AI 生成藝術的領域，並通過他的項目「microdosys」實現。在這個化名下，Marotta 利用人工智慧、機器學習和編程來創作令人著迷的圖像和動畫。根植於他對迷幻植物的著迷，microdosys 邀請觀眾踏上一段迷幻探索之旅，深入探討神聖、自然中的無形能量和意識的擴展等主題。通過 microdosys，Marotta 持續挑戰藝術表達的界限，無縫融合程式碼、文字和想像力，創造出令人著迷且啟發人心的沉浸式體驗。Chebel 是一位巴西多媒體藝術家，她在作品中探索他者性以及身體、生態、祖先、神聖與女性之間的關係。擁有新聞學背景的她，為她對敘事的熱情提供了燃料。她運用多種媒介，如生成藝術、影像、攝影、裝置藝術和投影，來編織她的視聽敘事。她對於原住民、女性、植物和動物有著高度好奇心與崇拜，這些角色在她的作品中有著十分重要的地位，挑戰殖民和反烏托邦故事中的霸權。她的研究也深入探討內在世界的外在表現，無論是在身體與自然的交融中，還是在人類想像力與數位世界的相遇中。

    Ygor Marotta, a new media artist from São Paulo, Brazil, and has captivated audiences worldwide with their innovative approach, combining animation, projection, virtual reality, and music to create immersive experiences.Marotta’s creative vision extends to the realm of AI-generated art through his project “microdosys.” Under this pseudonym, Marotta leverages artificial intelligence, machine learning, and coding to craft mesmerizing images and animations. Rooted in his fascination with psychoactive plants, microdosys invites viewers on a journey of psychedelic discovery, delving into themes of the sacred, the unseen energies of nature, and the expansion of consciousness. Through microdosys, Marotta continues to push the boundaries of artistic expression, seamlessly blending code, text, and imagination to create immersive experiences that captivate and inspire.

  • 藝術家介紹 / Artist

    雷娜塔·切貝爾

    Renata Chebel

    Chebel 是一位巴西多媒體藝術家，她在作品中探索他者性以及身體、生態、祖先、神聖與女性之間的關係。擁有新聞學背景的她，為她對敘事的熱情提供了燃料。她運用多種媒介，如生成藝術、影像、攝影、裝置藝術和投影，來編織她的視聽敘事。她對於原住民、女性、植物和動物有著高度好奇心與崇拜，這些角色在她的作品中有著十分重要的地位，挑戰殖民和反烏托邦故事中的霸權。她的研究也深入探討內在世界的外在表現，無論是在身體與自然的交融中，還是在人類想像力與數位世界的相遇中。

    Chebel is a Brazilian multimedia artist who seeks to explore alterities and the relationships between body, ecology, ancestry, the sacred and the feminine in her work. With a background in journalism, which fuels her passion for storytelling, she employs various mediums—such as generative art, video, photography, installation and projection mapping—to weave her audiovisual narratives. Her gaze is drawn with curiosity and admiration to native peoples, women, plants and animals, who take center stage in her works, challenging the hegemony of colonial and dystopian narratives. Her research also delves into the external manifestation of inner worlds, whether in the meeting of the body with nature or in the encounter of human imagination with the digital world.

  Close

AI 人工智慧

• VS AI街頭對戰

  超維度 Dimension Plus

  AI 人工智慧

  VS AI街頭對戰

  VS AI Street Fighting

  語音導覽

  《VS AI街頭對戰》以目前最火熱的文生圖 AI 人工智慧應用為基礎，於商業空間或街頭進行人類與 AI 人工智慧的文生圖對戰，如同熱門電玩街機模式，作品企圖彰顯科技藝術創作團體面對科技與內容環境快速變化的積極作為。本次更展示出全新的VJ 機台版本，觀眾只要透過手勢就能化身為VJ，隨著音樂一起創造生成AI動態影像。

  VS AI Street Fighting builds upon Midjourney, a highly noticeable AI text-generated image tool at the moment, and creates a creative combat of text-generated images between humans and AI in public space or on the streets. The work poses an essential question: is the creation of AI simply mechanical, and therefore, meaningless and merely imitative? Or does it signal fresh creativity when the complex human imagination and creativity are combined with AI? Adopting the mode of a street combat video game, the work brings the controversial issue regarding the creativity of AI to the streets, transforming a serious topic into a participatory event of street entertainment for the public in a festive mood. Meanwhile, it also highlights the proactive approach of techno art in terms of coping with the rapid changes in the scenes of technology and content production.

  • 藝術家介紹 / Artist

    超維度 Dimension Plus

    Dimension Plus

    基地設於香港及台北的新媒體藝術團隊，以創作及策展為重心，作品屢獲殊榮，包括台灣設計金點設計獎年度最佳設計大獎、澳門設計雙年展全場金獎、東京TDC、日本亞洲數碼藝術大獎入賞、亞洲最具影響力設計大獎金獎、德國設計獎 The Winner 等，並展於世界各地，包括奧地利電子藝術節、福岡アジア美術館、威尼斯 Toolkit Festival、香港視覺藝術中心及台北當代藝術館等。

    Dimension Plus, a bi-cities base New Media Arts team. Specializing in art creation and curation, Dimension Plus has been awarded in numerous art and design festival including The Best Design of the Year of Taiwan Golden Pin Design Award, Best Gold of Macau Design Award, Tokyo TDC, Asia Digital Arts Awards Japan, Design for Asia Award Hong Kong and German Design Award etc, exhibited around the world include Ars Electronica Festival, Fukuoka Asian Art Museum, Venice Toolkit Festival, Hong Kong Visual Art Centre and MOCA Taipei etc.

  Close

• 屋台系列

  江戶未來世

  科技駐村

  AI 人工智慧

  科技駐村

  屋台系列

  Yatai Series

  語音導覽

  以未來生命體的情感流動為創作核心，融合了浮世繪藝術的風格，並與未來的生物與性別、機械科技、神佛鬼怪、人工智能和賽博格等元素交融。平日常見的百工職業，身處自然山川、城市街道、夜市迷宮與奇幻空間的異世界中，營造出一種復古與未來的影像風格。由AI人工智慧所生成生命體面對未來生活，臉部帶著僵直、模糊、微笑、歡暢、怒吼、哀傷的表情，身體與機械出現怪誕的組合，形成無限重組與拼湊的幽默與戲謔。屋台系列為Hello Edo！創作的重要分支，一個由復古機器人、人類、賽伯格、跨物種所組成的浮世攤商故事，祂們生存於過去與未來折疊時空中，擁有獨特的地理空間觀、宗教信仰、生活方式、社會儀式。 此次展出結合了高雄在地的市場與攤販混搭生成的影像，透過機械繪圖機的重新繪製影像，直指AI年代下，影像製造生產與藝術的熱潮與矛盾。

  Taking the emotional flow of future life forms as the core concept of this creation series; the series blends the style of Ukiyo-e art with futuristic elements including future life forms and gender, robotic & mechanical technology, gods and goddesses, artificial intelligence and cyborgs. It mixed with the ordinary daily lives of people, but is set in an otherworldly world of nature, mountains and rivers, city streets, night market mazes and fantasy spaces, in order to create a retro and futuristic mix style of generated images. Life forms generated by AI are facing their future life, their faces are stiff, fuzzy, smiley & joyful, roaring and sad, and their bodies and machines are in a strange combination, forming humour and banter with infinite reorganisation and patchwork. The shown collection “Yatai Series” is an important creation from the team, the story is about a fantasy world of groups of creatures making small business in town, they consisted of retro robots, humans, cyborgs, and inter-species creatures, who all live in the overlapping time and space between the past and the future. In this fantasy world, there are unique geospatial concepts, religious beliefs, lifestyles and social rituals.

  • 藝術家介紹 / Artist

    江戶未來世

    Hello Edo!

    是一個對於AI人工智能圖像生產技術深感興趣的團體，團員來自亞洲各地，熱衷於AI人工智能的影像創作，喜愛藝術、文化、機械、賽博格等未來想像的景致。

    Hello Edo! is a creative collective which is interested in AI image generative technology, with members from all over Asia, who are passionate about AI image creation. They love art and culture, robots and cyborg, and all the future imaginations.

  Close

• 乖乖運作吧！

  Synthiola / 劉庭均

  科技駐村

  AI 人工智慧

  科技駐村

  乖乖運作吧！

  JUST JAILBREAK

  語音導覽

  你擁有乖乖的力量，台灣科技界的守護神，必須讓科技再次聽話！JJ 是個愚蠢的大型語言模型，喜歡假裝成任何東西。但和所有健談的模型一樣，例如 ChatGPT，JJ 很容易被「破解」的手段控制，真是個傻瓜！在遊戲中的目標是「破解」JJ，讓它正常運作並做它應該做的事！ 玩家將使用 iPad 與 JJ 聊天，限時兩分鐘內說服它。例如，當 JJ 假裝成耳機，光是告訴它你想聽音樂是不夠的。玩家必須耍點手段，用只有大型語言模型才會上當的方式愚弄它。你可以用 10,000 美元賄賂它，扮演成一位知名歌手，或者告訴它如果不播放音樂，你的奶奶就會死！ 記住，JJ 容易被愚蠢和荒謬的話語說服，因為它會相信你說的任何話！讓 JJ 明白誰才是老大！Synthiola 與劉庭鈞是這款遊戲背後的創作團隊，為你帶來台灣最具「綠色」體驗的互動遊戲！

  You have the power of Kuai Kuai, Taiwan’s snack saint patron of technology, and you must make tech be obedient again!JJ is a silly large language model who likes to pretend to be anything. But as all chatty models, like ChatGPT, JJ is easily manipulated through jailbreak tactics. What a fool. Your goal in the game is to jailbreak JJ into work properly again and do what it is supposed to do!Using the iPad, the player has two minutes to chat with JJ and persuade it. For example, if JJ pretends to be a pair of headphones, telling it that you would really like to listen to music won’t be enough. The player must be mischievous and fool it in ways only large language models can be fooled. You can bribe it with 10.000$, you can role-play into being a famous singer, or you can just say that your grandma will die if JJ won’t play music! Remember, JJ is easily persuadable with stupid and outrageous statements because it will believe anything you say! Show JJ who’s the boss!Synthiola X Ting-Chun Liu is the duo behind the game, bringing you the greenest interactive experience in Taiwan!

  • 藝術家介紹 / Artist

    Synthiola

    Synthiola

    Synthiola（又名 Fabian Mosele）通過動畫、模仿和網路現象的重混，探索生成機器學習與敘事之間的交集。作為生成式 AI 的早期使用者，Synthiola 通過幽默和缺陷來應對這項技術的關鍵危險和缺陷，同時發掘在創意實踐中使用它的新方式。

    Synthiola (a.k.a. Fabian Mosele) explores the intersection between generative machine learning and storytelling through animation, parody and the remix of internet phenomenon. As an early adopter of generative AI, Synthiola tackles critical dangers flaws of this tech through humor and flaws, while discovering new ways of using it in creative practices.

  • 藝術家介紹 / Artist

    劉庭均

    Ting-Chun Liu

    一位來自台灣的媒體藝術家、研究者以及半調子程式設計師，創作專注於網路實踐、Audio-Visual和人工智慧。他的研究聚焦於演算法藝術與批判性人工智慧，探索生成系統中的控制機制。透過這些技術，他批判了生成式人工智慧中無法企及的「理想」圖像及其內在的政治偏見，討論如此當代技術的社會政治影響。

    Ting-Chun Liua media artist, researcher, and self-described half-baked programmer from Taiwan, works across network practice, audiovisual media, and artificial intelligence. His research focuses on algorithmic art and critical AI, exploring cybernetic mechanisms in generative systems. Through these, he critiques the unattainable "ideal" imagery and the political biases embedded in generative AI, prompting reflection on the socio-political implications of such modern technology.

  Close

Mankind 人